By Thomas DaCosta Kaufmann
In Giuseppe Arcimboldo’s most renowned work, grapes, fish, or even the beaks of birds shape human hair. A pear stands in for a man’s chin. Citrus culmination sprout from a tree trunk that doubles as a neck. all kinds of traditional phenomena come jointly on canvas and panel to gather the unusual heads and faces that represent one in all Renaissance art’s so much notable oeuvres. the 1st significant examine in a iteration of the artist at the back of those outstanding work, Arcimboldo tells the singular tale in their creation.
Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann starts off with an summary of Arcimboldo’s lifestyles and paintings, exploring the artist’s early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg courtroom portraitist in Vienna and Prague. Arcimboldo then trains its specialise in the distinguished composite heads, drawing close them as visible jokes with critical underpinnings—images that poetically reveal pictorial wit whereas conveying an allegorical message. as well as probing the humanistic, literary, and philosophical dimensions of those items, Kaufmann explains that they include their creator’s non-stop engagement with nature portray and traditional historical past. He unearths, actually, that Arcimboldo painted many extra nature reviews than students have realized—a discovering that considerably deepens present interpretations of the composite heads.
Demonstrating the formerly ignored significance of those works to usual historical past and still-life portray, Arcimboldo eventually restores the artist’s remarkable visible jokes to their rightful position within the heritage of either technological know-how and art.
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Extra info for Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting
Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting by Thomas DaCosta Kaufmann