A grammar of colouring applied to decorative painting and by George Field

By George Field

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Earth. variety in nature, and are capable of the same variation by art, from sienna yellow, through orange and red, to purple, brown, and black, among which are useful and valuable distinctions, which are brighter and purer than native ochres. /em, "iron"), impregnated with iron. OF THE PKIMAKY COLOURS YELLOW. 35 When carefully prepared, these pigthe judgment. ments dry well in proportion to their depth, and have the general habits of sienna earths and ochres YELLOW ORPIMENT, Or Yellow Arsenic, is a sulphuretted oxide of arsenic, of a beautiful, bright, and pure yellow colour, not extremely durable in water, and less so in oil: in tint soon destroyed.

We therefore repeat, that neither light, the symbol of infancy. had a red colour Cupid is a child ; celestial love is represented in Christian symbolism by infant angels. child was initiated into the great mysteries at Eleusis ; he performed a character in the last initiation, which was an emblem of death he was named the child of the sanctuary and the boys of the choir are Baron F. Portal. to this day clothed in red. for , A ; ; OF THE PRIMARY COLOURS RED. 43 time, nor foul air effects sensible milions, change in true verand that they may be used safely in either water, oil, or fresco, being colours of great chemical permanence, unaffected by other pigments, and among the least soluble of chemical substances.

Tion of the artist. LAKE, A name derived from the lac or lacca of India, is the of a of cognomen transparent red and other variety coloured pigments of great beauty, prepared for the most part by precipitating coloured tinctures of dyeing THE GRAMMAR OF COLOURING. 48 drugs upon alumine and other earths, &c. The lakea are hence a numerous class of pigments, both with respect to the variety of their appellations and the substances from which they are prepared. The colouring matter of common lake affords a very fugitive colour.

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