By Ingmar Decker
„Ach, echt?“ Diese Frage bewegt die Menschheit seit langer Zeit.
Die Cartoons in diesem Buch bewegen sich um diese Frage herum und zeigen sie in ihrem großen Facettenreichtum – mal gepaart mit Erstaunen, Neugier oder Freude, mal gepaart mit Desinteresse, Lustlosigkeit oder Ignoranz.
Dabei wird die Frage nicht immer beantwortet. Ja, oft wird sie nicht einmal gestellt! Und dennoch schwingt sie immer mit zwischen den Zeilen und Pinselstrichen dieser illustren Auswahl an Cartoons und comedian Strips aus den vergangenen Schaffensjahren des Zeichners.
Mit 114 Zeichnungen – davon sixteen in Farbe. Mit Seitenzahlen. Ohne sonstigen Schnickschnack.
Read Online or Download Ach, echt?: Cartoons PDF
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Additional info for Ach, echt?: Cartoons
Tell them you are trying to learn how to draw comic portraits, and ask them if you can practice by drawing them. Tell them it will only take a few minutes. Many times, they will be happy to get a free sketch done and may even tip you. This is an easy way to practice without pressure and maybe even make some money. 49 There are times when the face shape does not say anything in particular to me. This means that there is probably another Simple Faces feature screaming for attention. If the face is simple, then draw it that way.
The a ¾-cheat nose versus a front-view near side (our left) and a bit flatter on shapes on the far side of the face will nose. Notice how the nose is placed the far side (our right). be slightly different. The eyebrow on closer to the right cheek than the left, our right will look a bit shorter in length, since we see less of the right side of and the eye will look a bit smaller and the face. This is in keeping with how not as wide as the eye on our left. we placed the eyes and eyebrows. There is also less space between the far eye and the cheek line.
Draw a simple jawline. Our Model Hair line 1 covers the ears, so don’t Simple shapes, such as hair line 2 It is very important to stick to your pat- feel as though you have to include here, help attract attention to other tern. Work your way down the face so them. Draw what you see; leave out features by not attracting attention to you don’t miss any details. I have seen what you don’t. themselves. If it is plain, then leave it artists leave out eyebrows, glasses that way. and lips by accident.